Notwithstanding a red egg and other constructs viewable from Jalan Tun Razak, ‘Pemain Rebab No. 1’ by Mad Anuar Ismail might as well also be labelled as “public sculpture”. I see it every time I enter the lobby of the National Art Gallery. And how well it has aged! The stylized representation of a musician is always a welcome sight – culturally relevant, striking aesthetic, invokes other non-visual senses, grand scale, and technically refined. Placed underneath the spotlight again in “Negaraku”, the piece serves as a reminder that re-contextualised art can improve looking, and visitors should give themselves more leeway in creative interpretations, and how a work may look different each time one sees it.
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| Mad Anuar Ismail – Pemain Rebab No. 1 (1991) |