Looks like erected nipples. Constructs by Elias Yamani Ismail are always beguiling, and this grid of 81 (wooden? plastic?) squares, each with a protruding tip at the centre, is no different. The tension is palpable – is the flat surface transforming before my eyes? Does each dot/button trigger a reaction? This picture-sculpture is more erotic than the voluptuous lady, printed by Long Thien Shih, that hangs on the opposite wall. The gap between squares are wide enough to suggest individual drawers, like those in a traditional Chinese medicine pharmacy. What lies within? Are these concealed stupas on a Sudoku grid? Seen from the front, the reflected spotlights assume gleaming triangular shapes, adding a silver thorny pattern to the confounding image. Looking at this visually ambiguous artwork, I feel hopeful about how some affinities just cannot be explained - like being a Malaysian.
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| Elias Yamani Ismail – Regangan No. 2 (2010) |